rúllu
shapeshifter. groundbreaker. nap-taker.
the least danish thing made in denmark.
danish design principles include tradition and reduction, improving on the good, reducing for minimalism. rúllu doesn’t have a starting point, or an ending point. there is no predecessor to improve on, there is only the next iteration.
generative ai disclosure.
leatherworking
iterative sketching
modelmaking
design autopsy
collection
practical skills
bokeh furniture lab
contributors
openai’s chatgpt 4o generative ai model was used in this project for:
information gathered on human spine anatomy ergonomics for slat width and spacing.
iterative critique and feedback simulation for conceptual development.
artificial intelligence was not used in any capacity for creative decision-making or concept generation, and was primarily used for gathering ergonomic information.
now this. now that.
rúllu’s “l-frame” construction and tambour enables countless forms of furniture, swappable between forms in 5 minutes or less. forms range from a lounge to a daybed to an armchair, all with the same parts and construction method.
how many forms can rúllu take? the answer is unknown. when reconstructing the chair, it invites new form experimentation based upon the same principles of suspension and configuration, with the tambour itself being usable as a floor mat or beach blanket.
a chair in suspense.
a project doesn’t truly start until it’s called “ambitious” or “bold”. some say that i seek this reaction. those people could not be more correct. if there’s a doubt in a product’s probability of existence or success, that’s where i begin.
rúllu wasn’t constructed until the night before our final critique, and even after then tensions were high. all of these puns are intended.
again. and again. and again.
if i said any of my ideas made sense at the start, i was lying. before the current (8th) iteration, there were roughly 20 different directions. rúllu is not anywhere near a “finished” state. i switch between ideating on it and preparing it on my portfolio.
rúllu, in it’s state is more of a proof of concept (and comfort). there are staggering amounts of improvements and optimizations to be made in almost every way, which is why rúllu is under heavy consideration for my capstone and/or final furniture project.
processwork.
finishes.
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zinc.
a new material highlighted in the era of sustainability, split’s zinc finish is cost effective and sustainable.
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aluminum.
lightweight, but premium. aluminum fits into practically any room or color pallete, and so will your speaker.
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copper.
designer’s choice. a copper exterior makes a one-of-a-kind speaker even more unique, developing an oxidized patina over time.
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titanium.
you don’t mess around. you didn’t even look at the other finishes. it’s made out of aerospace-grade titanium and you want it.